| Week |
Course Content |
| Week 1 |
introduction upon the differences between sex and gender, and then the elaboration of languistic operations has complicated the simple clear-cut of sex and gender. |
| Week 2 |
Beauvoir: The Second Sex
Woolf: A Room of One’s Own, Three Guineas |
| Week 3 |
Kate Millet: Sexual Politics |
| Week 4 |
Elaine Showalter: gynocriticism |
| Week 5 |
Kristeva: Power of Horror, abject, chora, symbolic/semiotic |
| Week 6 |
Helene Cixous: feminie writing, female body, writing |
| Week 7 |
Luce Irigray: Speculum of the Other Woman, women’s eroticism |
| Week 8 |
Alice Jardine: gynesis-- ”woman’ as intrinsic to new and necessary modes of thinking, writing, speaking |
| Week 9 |
Judith Butler: idea of performativity, gender as failed copy |
| Week 10 |
Donna Haraway: cyborg and post-gender |
| Week 11 |
E. F. Sedgwick: Episemology of the Closet |
| Week 12 |
Adrienne Rich: compulsory heterosexuality and lesbian existence |
| Week 13 |
Jane Rule: Lesbian Images |
| Week 14 |
J. Dollimore: perverse dynamic |
| Week 15 |
Jeffrey Weeks: flux of desire |
| Week 16 |
self-study will focus on the review of sex and gender, of the introduced outstanding feminists in terms of partiarchy, sexuality in literary texts, the clear-cut of heterosexuality and homosexuality, the emgernce of gay, lesbian, queen and their sanguine influences upon the independence of the colonized states. |
self-directed
learning |
01.Participation in professional forums, lectures, and corporate sharing sessions related to industry-government-academia-research exchange activities.
02.Viewing multimedia materials related to industry and academia.
03.Preparing presentations or reports related to industry and academia.
|