NCHU Course Outline |
Course Name | (中) 當代文化中的全球化議題(6080) | ||||
(Eng.) Contemporary Culture and Globalization | |||||
Offering Dept | International Master Program in Asia and China Studies | ||||
Course Type | Elective | Credits | 3 | Teacher | Yu-Chuan Shen |
Department | International Master Program in Asia and China Studies/Graduate | Language | English | Semester | 2025-SPRING |
Course Description | This course explores globalization's cultural dimensions, examining how economic, social, political, and educational shifts reverberate through contemporary artistic practices and discourses. Students will cultivate a broad yet critical understanding of the key concepts associated with globalization studies by engaging with a range of interdisciplinary scholarship- from anthropology to urban studies. Attention will be given to the idea that "globalization," while typically understood as an economic or political process, also involves the circulation of ideas, signs, symbols, and identities across expanding physical and virtual realms. Through structured analysis of cultural contexts, broadly construed, students will learn to identify and interpret the often subtle ways in which local and global forces intersect in everyday life. | ||||
Prerequisites | self-directed learning in the course | N |
Relevance of Course Objectives and Core Learning Outcomes(%) | Teaching and Assessment Methods for Course Objectives | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Course Objectives | Competency Indicators | Ratio(%) | Teaching Methods | Assessment Methods | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
1. A critical grasp of major theoretical concepts in globalization studies, including hybridity, transnationalism, glocalization, and global cultural flows. 2. The ability to analyze diverse cultural texts—from written works and film to social media and built environments—in light of globalizing influences. 3. A refined understanding of how economic, political, cultural, and educational processes intersect and how these intersections shape individual and collective identities in the contemporary world. 4. Skills to critically engage with academic discourse and contribute original insight on globalization's contested meanings and manifestations in different cultural contexts. |
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Class readings form the cornerstone of this seminar. Each week, students will closely engage with excerpts of theoretical texts that align with the central theme for that session. Some weeks may also involve additional cultural materials—such as novels, films, or documentaries—to deepen interdisciplinary insight. Students should come prepared to discuss these readings and cultural texts in class, drawing connections between theoretical frameworks and real-world cultural phenomena. Active attendance and thoughtful participation are essential to cultivating a rigorous intellectual community. Regular class attendance is therefore expected, as is consistent engagement in small-group and plenary discussions. Students who contribute informed commentary and constructive feedback demonstrate their grasp of the course materials and enhance the collective learning experience. This participatory component constitutes 30% of the final grade. Presentations, totaling 30% of the course evaluation, allow students to curate relevant cultural texts in response to the weekly theoretical readings. In the weeks designated for presentations, each student will bring a short text, video clip, or other cultural artifact that illustrates or complicates the theories under discussion. Accompanying each artifact should be a concise curatorial note of approximately 300–500 words to explain the chosen text’s significance and relevance to the course material. Students will then present their artifacts briefly in class, summarizing key observations, posing critical questions, and inviting further dialogue among their peers. The final research paper, accounting for 40% of the grade, is an extended project in which students articulate, develop, and refine an original argument that engages directly with the course themes. Spanning approximately 20 pages, this paper should demonstrate a thorough understanding of relevant scholarly literature and thoughtful application of theoretical and methodological tools studied throughout the semester. The final two weeks of the course are reserved for working on these papers, enabling students to receive feedback on research design, theoretical framing, and structural coherence before submitting the final version. Important Notice: Plagiarism in assignments and cheating in exams are strictly prohibited in this course. If substantial evidence confirms plagiarism in assignments or cheating in exams, the semester grade will be recorded as zero. Generative AI Ethics Statement: The instructor deems the use of generative AI inappropriate for classroom learning, as the content related to this course contains numerous inaccuracies in generative AI, which can easily affect students’ understanding of fundamental core knowledge. *Syllabus subject to change. All participants are encouraged to bring forward relevant texts, case studies, and viewpoints to enrich collaborative learning and debate. |
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Textbook & other References | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
PDFs and online papers. Some books and articles are available in the library. --- Selected References Appadurai, A. (1996). Modernity at Large: Cultural Dimensions of Globalization. University of Minnesota Press. Barber, B. R. (1996). Jihad vs. McWorld. Ballantine Books. Bhabha, H. K. (1994). The Location of Culture. Routledge. Castells, M. (2010). The Rise of the Network Society (2nd ed.). Wiley-Blackwell. Chua, B. H. (2012). Structure, Audience and Soft Power in East Asian Pop Culture. Hong Kong University Press. Clifford, J. (1994). “Diasporas.” Cultural Anthropology, 9(3), 302–338. Escobar, A. (2008). Territories of Difference: Place, Movements, Life, Redes. Duke University Press. Hall, S. (1996). “Introduction: Who Needs ‘Identity’?” In Hall, S. & du Gay, P. (Eds.), Questions of Cultural Identity (pp. 1–17). SAGE. Harvey, D. (2005). A Brief History of Neoliberalism. Oxford University Press. Harvey, D. (2012). Rebel Cities: From the Right to the City to the Urban Revolution. Verso. Held, D. & McGrew, A. (2007). Globalization/Anti-Globalization: Beyond the Great Divide (2nd ed.). Polity Press. Iwabuchi, K. (2002). Recentering Globalization: Popular Culture and Japanese Transnationalism. Duke University Press. Marginson, S. (2007). “Global University Rankings: Implications in General and for Australia.” Journal of Higher Education Policy and Management, 29(2), 131–142. Mohanty, C. T. (2003). “Under Western Eyes Revisited.” Signs: Journal of Women in Culture and Society, 28(2), 499–535. Parreñas, R. S. (2001). Servants of Globalization: Women, Migration, and Domestic Work. Stanford University Press. Ritzer, G. (2015). The McDonaldization of Society (8th ed.). SAGE. Sassen, S. (2001). The Global City: New York, London, Tokyo (2nd ed.). Princeton University Press. Smith, N. (1996). The New Urban Frontier: Gentrification and the Revanchist City. Routledge. Spring, J. (2015). Globalization of Education: An Introduction (2nd ed.). Routledge. UNESCO. (2019). UNESCO Framework for Cultural Statistics. UNESCO Publishing. |
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Please respect the intellectual property rights and use the materials legally.Please repsect gender equality. | |
Update Date, year/month/day:2025/01/06 23:32:31 | Printed Date, year/month/day:2025 / 1 / 22 |
The second-hand book website:http://www.myub.com.tw/ |