NCHU Course Outline
Course Name (中) 生態環境電影專題(8001)
(Eng.) Seminar on Eco-cinema
Offering Dept International Doctoral Program in Taiwan and Transcultural Studies
Course Type Elective Credits 3 Teacher Liew Zhou Hau
Department International Doctoral Program in Taiwan and Transcultural StudiesPh.D Language English Semester 2025-FALL
Course Description This class explores a series of visual texts (feature films, documentaries, and photography) that represent the environment. By close-reading and analyzing these texts, we will attempt to develop what may be conceptualized as "planetary aesthetics," while paying attention to the specificies of the visual medium. Some of the issues we discuss include the relationship between geography and visuality, colonial representations, sensory ethnography and forms of life, science fiction, planetary blockbusters, and contemporary art. We will also practice analyzing visual texts together in class. As this is a PhD level class, there will be opportunities for students to give input and shape the syllabus based on their interest and research projects.
Prerequisites
self-directed learning in the course Y
Relevance of Course Objectives and Core Learning Outcomes(%) Teaching and Assessment Methods for Course Objectives
Course Objectives Competency Indicators Ratio(%) Teaching Methods Assessment Methods
1) Practice analyzing visual texts.
2) Develop frameworks for understanding the relationship between visuality and the environment.
3) Discuss future research projects.
Exercises
Discussion
Lecturing
Attendance
Oral Presentation
Assignment
Course Content and Homework/Schedule/Tests Schedule
Week Course Content
Week 1 Introduction
Week 2 Geography, visuality, and imperialism

James Ryan, Picturing Empire: Photography and the Visualization of the British Empire (Introduction)
John Thompson, Samuel Bourne (Travel photography)
Week 3 Landscapes and geography

James Ryan, Picturing Empire: Photography and the Visualization of the British Empire (Chapter 2)
Priya Jaikumar, ”An ’accurate imagination’: Place, Map and Archive as Spatial Objects of Film History”
Week 4 Special lecture
Week 5 Visualizing extraction

Goodyear short film, ”Conquering the Jungle” (1930)
Selected clips from colonial archives
Week 6 Afterimages of extraction

Nadine Chan, Rainforest Hermeneutics in the Military Training Film
Sim Chi Yin, One Day We’ll Understand (2015-present)
Week 7 Student choice of texts
Week 8 Midterm break and assignment
Week 9 Recap week
Week 10 Science fiction and the planetary

Denis Villeneuve, Dune (2021)
Week 11 Waste ecologies

Wang Jiuliang, Plastic China (2016)
Week 12 Oceans, migratory networks, and media

Mati Diop, Atlantics (2019) (not in library, on Netflix)
Week 13 Sensory ethnography

Lucien Castaing-Taylor and Verena Paravel, Leviathan (2012)
Week 14 Resource futures

Chi Po-lin, Beyond Beauty - Taiwan from Above (2013)
Riar Rizaldi, Fossilis (2024)
Week 15 Student presentations
Week 16 Final papers due
self-directed
learning
   02.Viewing multimedia materials related to industry and academia.
   04.Participation in visits or internships at industry, government, or academic institutions.
Museum visits and portfolio building
Evaluation
Attendance and participation (20%)
Presentations (20%)
Midterm assignment (25%)
Final paper (35%)
Textbook & other References
David Bordwell and Kristin Thompson, Film Art: An Introduction
Teaching Aids & Teacher's Website

Office Hours
By appointment. Please email to setup a meeting.
Sustainable Development Goals, SDGs(Link URL)
11.Sustainable Cities and Communities   15.Life On Landinclude experience courses:N
Please respect the intellectual property rights and use the materials legally.Please respect gender equality.
Update Date, year/month/day:2025/07/29 05:36:34 Printed Date, year/month/day:2025 / 8 / 19
The second-hand book website:http://www.myub.com.tw/