週次 |
授課內容 |
第1週 |
Overview |
第2週 |
(Re)Framing the Stage
Hu Shi. The Main Event in Life (1919) |
第3週 |
Nation as History
Lao She. Teahouse (1958) |
第4週 |
Farce
Sha Yexin, Li Shoucheng and Yao Mingde. What if I Really Were? (1979) |
第5週 |
Comedy
Kuo Pao Kun. The Coffin is Too Big for the Hole (1984) |
第6週 |
Comedy
Kuo Pao Kun. No Parking on Odd Days (1986) |
第7週 |
Absurdist Theatre
Gao Xingjian. The Bus-Stop (1983) |
第8週 |
Utopia vs. Dystopia
Stan Lai. Secret Love in Peach Blossom Spring (1986/1992) |
第9週 |
Utopia vs. Dystopia
Stan Lai. “Weaving Local Stories into Epic Theatre: On The Village and the Preservation of Collective Memory.” Lecture at UC Berkeley, Institute of East Asian Studies. Jan. 18, 2011. |
第10週 |
State Power
Gao Xingjian. The Other Shore (1986) |
第11週 |
State Power
Kuo Pao Kun. Descendants of the Eunuch Admiral (1995) |
第12週 |
Identity Politics
Danny Yung. Opium War: Four Letters to Deng Xiaoping (1984) |
第13週 |
Language
Kuo Pao Kun. Mama Looking for Her Cat (1988) |
第14週 |
Gender
Wang Chi-Mei. One Year, Three Seasons (2000) |
第15週 |
Presentations |
第16週 |
Essay Workshop |
第17週 |
Self-directed learning: Study multimedia materials related to the industry and academia.
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第18週 |
Self-directed learning: Study multimedia materials related to the industry and academia.
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